Author Archives: iris_erez

  1. Numbia

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    The body as an archeological site. The dancers search it for sensation till the point of pain. From the ruins of the body a desire for oblivion or an alternative memory is revealed.

    Choreography: Iris Erez

    Dancers co-creators: Asaf Aharonson, Lee Meir, Maya Weinberg

    Rehersal director: Amit Hadari

    Music: Andrew Liles

    Music design and editing: Karni Postel and Orpaz Agranov

    Costume design: Inbal Lieblich

    Light design: Uri Rubinstein

    Photo: Itay Marom

    The work was premiered at curtail up festival 2009 under the artistic direction of Yasmeen Godder.

    The work was supported by Teva company and by the dance department, Culture and sport office of Israel.

    Press:

     “… Wonderful dancers… The movement materials burst out mercilessly, far beyond any consideration of the human body’s physical limitations. They are cruel and painful, and are remarkably refined and stylized.” (Ruth Eshel, Haaretz)

    “Iris Erez created an excellent work, original and moving, and her co-creaters…all of them are part of this success.

    This personal portrait can be perceived also as a social portrait, as a deep image of a painful society, torturing and tortured. “ (Gabi Eldor, Dancetalk online)

    The piece brings out the curiousity to see more from the amazing erez both as a choreographer and dancer.” (Gitit Ginat, Achbar Hair online)

    “There is a certain courage in Erez work and an attempt to express an interesting idea in a tangible way.” (Zvi Goren, Habama online)

  2. Protection Formula

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    A woman, a dress, an armour, transparency. Chronics of a local protection.

    Choreography and performance: Iris Erez

    Costume Design: Nofar Galpaz

    Music: L’amour est Blue / Paul Mauriat and his Orchestra (1968)

    Video editing: Michael Peretz

    8mm film: Amnon and Ahuva Erez

    This solo piece was created originally for Intimadance Festival, Tel- Aviv 2003.

    Press :

    “In her first work, a compact solo entitled Protection Formula, Iris Erez used an inventive vocabulary of gestures and physical attitudes… to conjure up distraught images of emotional defense patterns.”(Dance Magazine 2003)

    “In the program the Israeli Iris Erez Protection Formula was clearly made by a more experienced choreographer and the piece felt like a complete small creation. For her solo she was dressed in bubble wrap which started to make sounds as she was starting to move and get freer.” .( Minna Tawast,  Artikkeli Jatkuu Lehdessä)

  3. It’s Not Personal

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    An attempt to become a contemporary image fails gradually

    This work deals with the different faces that are within us and in our attempt to handle these internalized others-an attempt that makes every solo actually into a duet.

    During the solo the dancer uses a little doll that acts as her ideal double, on which she can manifest her internal images. As a distorted paraphrase on Oscar Wilde’s story “The Picture of Dorian Gray”, the doll stays sweet and innocent while the dancer pass through life itself.

    Choreography and performance: Iris Erez

    Music: Uffie&feads, Felix Da Housecat

    Music editing: Matan Zamir

    Costume: Inbal Lieblich & Iris Erez

    Light design: Uri Rubinstein

    The solo was premeired at Zirat Machol Festival 2008, Hazira Habintchumit, Jerusalem, Israel.

    From the press:

    “Iris Erez, a dancer with a fascinating presence…tries to peel herself from any fake masks. She uses mimics that become themselves a choreography. (Ruth Eshel, Ha’aretz)

    Technichal details:

    Duration: 12 minutes

    Number of performers: 1

    Minimal stage size: 5 width 6 depth

    Special needs: a back wall and a white linuleum

  4. Serpant

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    Poetry film/Video dance
    Chaotic, desperate dancer tries to swear in the evil forces, entreats them to bring back spring and autumn “and moon at night”.

    Based on the piece “Temporary” by Iris Erez and the poem “serpant serpant” by T. Carmi

    Photography editing and direction: Avi Dabach

    Choreography and performance: Iris Erez

    Original Music: Guy Sherf

    7 min

    2007

  5. rehearsal

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    Stepping back, a woman reveals distant memories that subvert her defensive mechanism and deconstruct her familiar world.

    Based on “Protection Formula” by Iris Erez.

    10 min.,16mm.

     

    Choreography and Performance: Iris Erez

    Produced, Directed and Edited by Benjamin Freidenberg

    Cinematography: Itay Marom

    Assistant Camera: Dana Blankstein, Orian Barki

    Sound Recording: Einav Giat

    Costume Design: Nofar Galpaz

    Special Thanks: The Sam Spiegel Film and TelevisionSchoolJerusalem, Maya Brinner.

  6. Machol Shalem Dance Festival 2015-Artistic Direction

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    Machol Shalem Dance Festival-Group 1

    Artistic Direction: Sharon Zuckerman and Iris Erez

    Taṇhā Concept and Choreography: Aharona Israel

    Heart Matters by Nitzan Lederman

    Four footed, upright by Maayan Gur

    Artistic Direction: Sharon Zuckerman and Iris Erez

    An étude for body & control  by Kim Teitelbaum & Moran Yitzhaky Abergel

    Her Voice by Tamar Ben Cnaan

    Body Mandala by Shira Eviatar

    3/12/2015

    1930

    2100

     The Karnaf Hall